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Post by MoonyLuna on Jan 11, 2009 12:44:43 GMT -5
The shoulders, lowered in fields, glisten rouge. Around his head the halo of vines, a fistful of leaves translucent as skin, a sword curled
with arabesques of the same young flora. Study the facial muscles. They suggest more than three hundred heavens, one for every minute
the sun lords over a rain-stained morning. You've never held the weight of the harvest knife, strangely heavy, its handle worn,
or felt the deft twist unhinging fruit as a few seeds hurry to swell the land you walk. No matter how you try, the painting will not
depart, even after wisps of Giacometti and an anchor thrown in the courtyard café where grapes held sculptured poses,
ice clinked in highballs. Later you returned to Bacchus, grape-stained and cumbersome in his tableau of tunicked lutists.
Still, he lowers his shoulders, caught in the glare of a jewel of juice. If he could speak, who's to say he wouldn't beg? Overripe, he descends to the tendrils
of your engraving. The sun gleams off the blade you raise. It is late autumn, the three-hundredth heaven. A breath of wind, buttery and difficult, stirs his curls.
Copyright Chad Davidson
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Post by MoonyLuna on Jan 11, 2009 12:45:30 GMT -5
Featured Poet Chad Davidson
Chad Davidson, an associate professor of English at the University of West Georgia, is the author of Consolation Miracle. His poems have appeared in Colorado Review, Crab Orchard Review, DoubleTake, Epoch, The Paris Review, Pequod, Poet Lore, and numerous other publications.
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